July 24, 2025
At the end of June, during Art Basel, Italy approved a reduction of VAT on the art market
At the end of June, during Art Basel, Italy approved a reduction of VAT on the art market
Lorenza Pignatti interviews Rebecca Moccia on her project for the Gwangju Biennale on Il Manifesto, ALIAS: “Ospitata presso
Thea Romanello in conversation with Andrea Francolino on his recent residency in Paris, thanks to Istituto Italiano di
Marinella Senatore created the collage Who Are You?, a specific work for the cover of Amica magazine’s The
Marcello Morandini’s world is black and white form, between reality and imagination “Marcello Morandini’s world is a black-and-white
“Marinella Senatore creates shared urban rituals that are increasingly necessary” Micol De Pas interviews Marinella Senatore on Interni
Filippo Mollea Ceirano reflects on Andrea Francolino’s artistic journey in the new issue of Titolo: “Nelle sue opere,
“Una sorta di cartografia sentimentale della nostra relazione con i fiumi e la natura, ma soprattutto con le
Simone Marchetti comments on Marinella Senatore’s work ‘I Contain Multitudes’ in the latest issue of Vanity Fair: “Senatore
In the latest issue of Espoarte, Nicoletta Biglietti reviews Atmosferica by Rebecca Moccia, the exhibition at Fondazione Zegna
Everyday Enigmas by Will Moffitt Iran do Espírito Santo sat down with Will Moffitt at the Mayfair Times,
The market is going crazy for work by the Italian Modernist Salvatore Mangione (1947-2015), known as Salvo. “Next
A tu per tu con Rebecca Moccia: The Loners, a Torino by Elsa Barbieri Come viene percepita e
The white-hot work of the Italian Spatialists by Emma Crichton-Miller Luigi Mazzoleni sat down with Emma Crichton-Miller at
Francesca Pini interviews Marinella Senatore in Sette of the Corriere della Sera. Marinella Senatore, performer. “Ero un’adolescente introversa
‘ID is yellow, LA is red, ÈN is blue’: David Reimondo’s Chromophonetics is on show in Turin by
Marinella Senatore – Quadriennale Roma the Quadriennale di Roma is the national institution entrusted with the task of
Agostino Bonalumi. A Theatre of Forces reviewed in January issue of Arte, by Marco Meneguzzo: “A beautiful exhibition