May 28, 2026
The New York Times highlighted McGill’s independent public participatory installation during the Venice Biennale. Marea featured 100 paintings
The New York Times highlighted McGill’s independent public participatory installation during the Venice Biennale. Marea featured 100 paintings
Marinella Senatore, The School of Narrative Dance, L’Aquila A collective ritual that transforms the city into a widespread
Mazzoleni is pleased to share Group Exhibition: Lee Ufan, Claude Viallat and Gianfranco Zappettini, currently on view at
“In Cusano Mutri, I sought to explore nostalgia in its critical and affective potential: as a tool for
Marinella Senatore takes part in Cremona Contemporanea, the city-wide project that engages Cremona’s historical fabric through contemporary artistic
Mazzoleni is delighted to share the announcement of the release of LUCIO FONTANA, THE FINAL CUT, the documentary
Mazzoleni is glad to announce the new solo show by Rebecca Moccia at Temple Bar Gallery + Studios.
Mazzoleni is pleased to highlight the presence of Melissa McGill and Marinella Senatore, alongside David Reimondo, in Venice
Friday 10 April, on the occasion of Esterno Notte, an Exposed event held in collaboration with TAG, Mazzoleni
Mazzoleni is proud to announce the appointment of Marinella Senatore as the 2026 Artist of the Year by
Marinella Senatore is a multimedia artist, filmmaker, and activist who, since 2006, has developed public participation projects, engaging
Mazzoleni is pleased to announce Marea, a project by Melissa McGill. Taking place in the heart of Venice
We Rise by Lifting Others is the new project by Marinella Senatore, developed in collaboration with The Human
Mazzoleni is pleased to announce the inclusion of Dance First Think Later (2022) by Italian artist Marinella Senatore
Mazzoleni is pleased to share the news that Melissa McGill has been selected for The Rockefeller Foundation’s 2026
Giuseppe Fantasia on Marinella Senatore’s new project for Teatro della Cometa in Rome: ” Per il foyer del
Mazzoleni reviewed in The New York Times. During Art Basel Miami Beach 2025, Jason Farago reviewed the gallery’s
Gianfranco Zappettini’s 1976 work Tele sovrapposte n. 30/D enters the collections of the Museo del Novecento in Milan.