March 28, 2024
We’re delighted to have joined WeChat to continue to share our fair and exhibition program.
We’re delighted to have joined WeChat to continue to share our fair and exhibition program.
The white-hot work of the Italian Spatialists by Emma Crichton-Miller Luigi Mazzoleni sat down with Emma Crichton-Miller at
Francesca Pini interviews Marinella Senatore in Sette of the Corriere della Sera. Marinella Senatore, performer. “Ero un’adolescente introversa
‘ID is yellow, LA is red, ÈN is blue’: David Reimondo’s Chromophonetics is on show in Turin by
The Fondazione Nicola Trussardi will once again emblazon the streets of Milan, this time with works by seventy
BAM – Biblioteca degli Alberi Milano, a project of the Riccardo Catella Foundation, and Volvo Studio Milano present
On the occasion of the Milan Design Week 2024, QU presents a new installation that will take place
curated by di Elena Bray e Iacopo Prinetti 20.03 – 10.05.204 OPENING Friday 20 March 2024, h 18.00
Museum of Design, Zurich Oliviero Toscani: Photography and Provocation 12.4. – September 15, 2024 Exhibition street 12 CHF/
Beyond Horizons: A Symphony of Innovation An exhibition commissioned by the Consulate General of Italy in Dubai and
We are glad to announce the new work by Marinella Senatore for MACCA in Peccioli. After the success
Marinella Senatore – Quadriennale Roma the Quadriennale di Roma is the national institution entrusted with the task of
As part of the educational project ‘IED X Mazzoleni Art – David Reimondo’s Exhibition’, the second-year students of
Agostino Bonalumi. A Theatre of Forces reviewed in January issue of Arte, by Marco Meneguzzo: “A beautiful exhibition
Review by Alessandro Martini and Maurizio Francesconi on Corriere della Sera: “An exhibition by Agostino Bonalumi (1935-2013) is
Bob Dickinson discusses how artists and researchers have shown that atmospheres are very real and can have lasting
“Two exhibitions not to be missed, where Maestro Agostino Bonalumi’s artistic vision emerges, based on the idea that
“Ideologically speaking, art should be without a goal, but it cannot be without a purpose. At least that’s