Nicola De Maria was born in Foglianise, Italy, December 6, 1954. In 1977, De Maria created his first wall painting in Milan and followed this with a wall painting for the Paris Biennale that same year. De Maria continued to transcend the confines of the canvas by imbuing the exhibition space with the art of color in the tradition of the old masters of Italian churches. In the 1980’s, De Maria exhibited space paintings at the Biennale of Venice, Documenta 7 Kassel, XVI Biennale of San Paolo, Sydney Biennale and the Quadriennale di Roma.
In 1981, he was included in both “Identité Italienne”, a group exhibition at the Centre Pompidou in Paris, and “Critics and Art” at the National Gallery of Rome. Retrospectives of his paintings and drawings quickly followed at Museum Haus Lange, Krefeld and Kunsthalle Basel in 1983; Van Abbemuseum Einhoven and Kunsthaus, Zürich in 1985; Kunstmuseum, Bonn in 1986 and the Seibu Museum of Modern Art, Tokyo in 1988. In 1990, De Maria designed the entrance room at the XLIV Biennale of Venice and also exhibited at the Musée des Beaux Arts, Nîmes. In 1992, De Maria was commissioned to design a fresco painting for the German Parliament at Bonn.
Throughout the 1980s, De Maria’s work was featured by Achille Bonito Oliva in multiple Transavanguardia group exhibitions. Although De Maria was originally shown in this context, he separated himself early on by developing a body of work that is largely non-figurative and often small scale. Today, Nicola De Maria continues to work and live in Torino, Italy. Nineteen monographic publications, mostly designed by the artist himself, show his painted world.