Corriere della Sera: review on Agostino Bonalumi. Il Teatro delle Forze
Review by Alessandro Martini and Maurizio Francesconi on Corriere della Sera: “An exhibition by Agostino Bonalumi (1935-2013) is always a pleasure and not just for the eyes. Welcome then to Agostino Bonalumi: the Theatre of Forces (until 3 February, curated by Marco Scotini) at the Galleria Mazzoleni in Piazza Solferino. This is an unexpected investigation, […]
Rebecca Moccia on Art Monthly
Bob Dickinson discusses how artists and researchers have shown that atmospheres are very real and can have lasting effects on our experiences, memories and our sense of wellbeing. “As the work of Italian artist Rebecca Moccia suggests, it is often difficult to define what causes a particular atmosphere, no matter how pervasive or probelmatic it […]
Agostino Bonalumi. Oltre la superficie: l’esplorazione dei limiti.
“Two exhibitions not to be missed, where Maestro Agostino Bonalumi’s artistic vision emerges, based on the idea that beauty should be experienced and not described.” On Biancoscuro Art Magazine, in the rich review of the exhibitions The Paradox of Proximity: Agostino Bonalumi and Lee Seung Jio e Agostino Bonalumi. Il Teatro delle Forze , Vincenzo […]
Kunstforum International: Luisa Fink interviewing Marinella Senatore
“Ideologically speaking, art should be without a goal, but it cannot be without a purpose. At least that’s my truth. As an artist, I do something to create consequences. “ In a ten-page conversation in KUNSTFORUM International Vol. 292 November/December 2023, Luisa Fink explores, with Marinella Senatore, her practice, starting from the extensive exhibitions presented […]
Massimo Vitali for Collezione Farnesina
Massimo Vitali is among the recent additions to the photographic section of the Collezione Farnesina, the contemporary art collection of the Ministry of Foreign Affairs and International Cooperation. The work “Viareggio Red Fins” (2000) is part of the artist’s historic series, which since 1994 has travelled the beaches of Italy in a visual investigation that […]